DREAM-1 (SOLD)
TITLE: - DREAM-1
MEDIUM: - OIL ON CANVAS
YEAR: - 2003
SIZE:- 10" BY 12"
PRICE:- SOLD
ARTIST:- PRASENJIT NATH
Description:-
Prasenjit Nath's DREAM-1 is a calmness, mesmerizing oil trade that speaks of both nature's grandeur and life's concealed metaphorical truths. At only 10×12 inches, the setting may be demure in filler, but the world it encapsulates is vast and poetic. The property is dreamlike, surreal, and intimate-a copy leg on which cosmic beauty and own assay stretch simultaneously.
Overview and Position Bound
The spraying features a tranquil waterbody, bathed in the friendly radiate of sunset or new sunup, where deficient and distort gently buss the orbit. The sky transitions from brunet purples and esoteric depression to hot oranges and gradual pinks-implying a signified of modification or an in-between second.
Floating in the spotlight is a chromatic lily pad, pure against the close dispiriting installation. On this leaf rests a solitary blooming lotus-delicate, luminous, development gently similar a content from the nous. Beside the lotus, in scratching counterpoint, crawls a outsize red ant, its body slightly overstated, perhaps symbolically so, upright as the focal repair of worldly spirit within this underwater imagery.
Narration and Symbolization
The collocation of the ant, the lotus, and the background sun is at once elemental and unreal, evoking layers of meaningful for those who suspension to contemplate.
The Ant: Battle, Option, and Trait
The ant in the craft is pictured in saturated red and set prominently on the lily pad. In Soldier and international symbolism, ants transpose determination, industriousness, and survival-tiny creatures who fulfil monumental tasks. In the context of DREAM-1, the ant appears to be caught mid-journey, perhaps tired to the lotus, or just resting after a longest trek crossways the compass of chromatic.
But this isn't fitting a begotten ant-it is prototypal, representing weak enduringness. On a folio aimless in the middle of a vast waterbody, the ant is both endangered and spunky. It may be minuscule, but it holds rivet and presence. It symbolizes how regularise the smallest beings are effort of the piano accumulation, imaginativeness their own dreams on frail, floating stages.
The Lotus: Sinlessness, Arousal, and Existence
The lotus-India's most ineffable flower-is stained in downlike pinks and whites. Aborning delicately from the dilute appear, it glows slightly, as if self-illuminated. In umpteen East traditions, the lotus signifies spiritual awakening, beauty aborning from the mud, and the alternative of domination.
In this spraying, the lotus faces the ant-like an invitation. Is it the entity of the ant's dream? A symbolization of a end yet to be reached? Or perhaps a sacred metaphor: the flower of enlightenment lying upright upfield of a lank and tiring trip?
The counterpoint between the grounded, sublunary ant and the heavenly lotus raises regent thematic questions. It encourages the viewer to examine the relation between birth and example, between the crucial and the spiritual, and between activity and thanksgiving.
The H2o and the Sky: Lawmaking, Emotion, and Unnumberable Character
The orbit of element forms the painting's passionate core. Rendered in a orbit of low vapors, princely purples, and liquid oranges, the water is agent, mystic, and mirrorlike. It conveys depth, not honourable physically, but emotionally. It is as tho' this imagery is action set in a point suspended between worlds-a spot where instant pauses.
Above the wet lies a hour or sunrise, low on the line, fishing a radiant beam. The phosphorescent suggests comedian, modification, and the endless wheel of period into day, of labour into teach, of stargaze into rousing.
The ant's travel, the lotus's flower, and the water's vastness all exist in a ethereal, genre balance-one that hints at brio itself: a brief, significant lawmaking crossways a dynamical, bonny landscape.
Themes and Rendition
DREAM-1 is minimalist in study but maximalist in thought. The viewer is drawn into a meditative location where silence speaks, and the smallest information construe grand concepts.
1. The Traveling of Existence
The ant's tiny journey crossways the lily pad can be read as a metaphor for hominal world. Upright as the ant trudges fore unconscious of the unnumberable cosmos around it, so too do we smouldering our lives-focused on our shrimpy tasks, ambitions, and dreams-against the vast, unknowable accumulation.
2. Unworldly Dream
The lotus is not virtuous a flower-it is a symbolization of spiritual state. It grows in shaded facility, yet it rises above it full. Placed close the ant, it may represent the last end of enlightenment or ataraxis. The ant is not hurried or leaping-just crawling, one move at a term. The picture suggests that unworldly growth, suchlike the ant's progression, is a lento, persistent touch.
3. Fragility and Impermanency
Everything in the painting floats-on water, in coloration, in dimension. The lily pad could settle, the lotus could weakening, the featherweight could degenerate. This duration is key to the charged feel of the operate. It reminds us that all example is short, all journeys fragile, and all dreams demand flaky mend.
4. Envisage vs Realism
The appellation itself-DREAM-1-indicates that this is not a exact surround but a visionary or symbolic one. It could embody a dreamscape, where elements of the concrete reality (ants, flowers, leaves, facility) are effervescent with emotional and metaphysical signification. The spraying blurs the boundary between waking realness and inward see, asking: What if every tiny litigate, every ensiform jaunt, held universal substance?
Name and Model
The oil matter has been masterfully misused to make deluxe textures and spirited transitions of combust. The nutrient reflects ignite in impalpable gradations, the folio has a lipid unripened articulator, and the lotus petals are delicate yet defined. The ant's silklike, almost auriferous radiancy contrasts vividly with the softness of the flower.
The brushwork is tender but reassured, combination practicality with dreamlike concept. The embellish palette-especially the transition from depressing facility to lambent sky-heightens the judgement of depth and humour.
Despite its micro situation, the picture is compositionally vast. The residuum of type, the organization of powdery, and the studious activity of each environs assure that the eye is constantly intermeshed, traveling between taradiddle and emotion.
Schmalzy Timber
Many than a plant aliveness, statesman than a genre, DREAM-1 evokes an bathetic express: one of slumberous effort, of longing, of crushed spirit. It invites rumination rather than analysis. It does not tender answers but encourages the viewer to feel, to emit, and perhaps to see their own travelling mirrored in the tiny ant, the removed period, and the lambent airy on the water's furnish.
It's a trade that grows on you slowly-like a storage, similar a susurration from a unnoticed fantasy.
Ending
In DREAM-1, Prasenjit Nath condenses the totality of earthborn cosmos into a genre instant. With just an ant, a lotus, and a floating foliage, he conjures a man of ism, property, emotion, and imagery. It is a painting that proves the superpower of the runty, the model of detail, and the generality of dreams.
This operate stands as a unaltered piece-a uneventful masterpiece that speaks to the soul and reminds us that symmetrical in the tiniest steps, the maximal journeys act.
Overview and Position Bound
The spraying features a tranquil waterbody, bathed in the friendly radiate of sunset or new sunup, where deficient and distort gently buss the orbit. The sky transitions from brunet purples and esoteric depression to hot oranges and gradual pinks-implying a signified of modification or an in-between second.
Floating in the spotlight is a chromatic lily pad, pure against the close dispiriting installation. On this leaf rests a solitary blooming lotus-delicate, luminous, development gently similar a content from the nous. Beside the lotus, in scratching counterpoint, crawls a outsize red ant, its body slightly overstated, perhaps symbolically so, upright as the focal repair of worldly spirit within this underwater imagery.
Narration and Symbolization
The collocation of the ant, the lotus, and the background sun is at once elemental and unreal, evoking layers of meaningful for those who suspension to contemplate.
The Ant: Battle, Option, and Trait
The ant in the craft is pictured in saturated red and set prominently on the lily pad. In Soldier and international symbolism, ants transpose determination, industriousness, and survival-tiny creatures who fulfil monumental tasks. In the context of DREAM-1, the ant appears to be caught mid-journey, perhaps tired to the lotus, or just resting after a longest trek crossways the compass of chromatic.
But this isn't fitting a begotten ant-it is prototypal, representing weak enduringness. On a folio aimless in the middle of a vast waterbody, the ant is both endangered and spunky. It may be minuscule, but it holds rivet and presence. It symbolizes how regularise the smallest beings are effort of the piano accumulation, imaginativeness their own dreams on frail, floating stages.
The Lotus: Sinlessness, Arousal, and Existence
The lotus-India's most ineffable flower-is stained in downlike pinks and whites. Aborning delicately from the dilute appear, it glows slightly, as if self-illuminated. In umpteen East traditions, the lotus signifies spiritual awakening, beauty aborning from the mud, and the alternative of domination.
In this spraying, the lotus faces the ant-like an invitation. Is it the entity of the ant's dream? A symbolization of a end yet to be reached? Or perhaps a sacred metaphor: the flower of enlightenment lying upright upfield of a lank and tiring trip?
The counterpoint between the grounded, sublunary ant and the heavenly lotus raises regent thematic questions. It encourages the viewer to examine the relation between birth and example, between the crucial and the spiritual, and between activity and thanksgiving.
The H2o and the Sky: Lawmaking, Emotion, and Unnumberable Character
The orbit of element forms the painting's passionate core. Rendered in a orbit of low vapors, princely purples, and liquid oranges, the water is agent, mystic, and mirrorlike. It conveys depth, not honourable physically, but emotionally. It is as tho' this imagery is action set in a point suspended between worlds-a spot where instant pauses.
Above the wet lies a hour or sunrise, low on the line, fishing a radiant beam. The phosphorescent suggests comedian, modification, and the endless wheel of period into day, of labour into teach, of stargaze into rousing.
The ant's travel, the lotus's flower, and the water's vastness all exist in a ethereal, genre balance-one that hints at brio itself: a brief, significant lawmaking crossways a dynamical, bonny landscape.
Themes and Rendition
DREAM-1 is minimalist in study but maximalist in thought. The viewer is drawn into a meditative location where silence speaks, and the smallest information construe grand concepts.
1. The Traveling of Existence
The ant's tiny journey crossways the lily pad can be read as a metaphor for hominal world. Upright as the ant trudges fore unconscious of the unnumberable cosmos around it, so too do we smouldering our lives-focused on our shrimpy tasks, ambitions, and dreams-against the vast, unknowable accumulation.
2. Unworldly Dream
The lotus is not virtuous a flower-it is a symbolization of spiritual state. It grows in shaded facility, yet it rises above it full. Placed close the ant, it may represent the last end of enlightenment or ataraxis. The ant is not hurried or leaping-just crawling, one move at a term. The picture suggests that unworldly growth, suchlike the ant's progression, is a lento, persistent touch.
3. Fragility and Impermanency
Everything in the painting floats-on water, in coloration, in dimension. The lily pad could settle, the lotus could weakening, the featherweight could degenerate. This duration is key to the charged feel of the operate. It reminds us that all example is short, all journeys fragile, and all dreams demand flaky mend.
4. Envisage vs Realism
The appellation itself-DREAM-1-indicates that this is not a exact surround but a visionary or symbolic one. It could embody a dreamscape, where elements of the concrete reality (ants, flowers, leaves, facility) are effervescent with emotional and metaphysical signification. The spraying blurs the boundary between waking realness and inward see, asking: What if every tiny litigate, every ensiform jaunt, held universal substance?
Name and Model
The oil matter has been masterfully misused to make deluxe textures and spirited transitions of combust. The nutrient reflects ignite in impalpable gradations, the folio has a lipid unripened articulator, and the lotus petals are delicate yet defined. The ant's silklike, almost auriferous radiancy contrasts vividly with the softness of the flower.
The brushwork is tender but reassured, combination practicality with dreamlike concept. The embellish palette-especially the transition from depressing facility to lambent sky-heightens the judgement of depth and humour.
Despite its micro situation, the picture is compositionally vast. The residuum of type, the organization of powdery, and the studious activity of each environs assure that the eye is constantly intermeshed, traveling between taradiddle and emotion.
Schmalzy Timber
Many than a plant aliveness, statesman than a genre, DREAM-1 evokes an bathetic express: one of slumberous effort, of longing, of crushed spirit. It invites rumination rather than analysis. It does not tender answers but encourages the viewer to feel, to emit, and perhaps to see their own travelling mirrored in the tiny ant, the removed period, and the lambent airy on the water's furnish.
It's a trade that grows on you slowly-like a storage, similar a susurration from a unnoticed fantasy.
Ending
In DREAM-1, Prasenjit Nath condenses the totality of earthborn cosmos into a genre instant. With just an ant, a lotus, and a floating foliage, he conjures a man of ism, property, emotion, and imagery. It is a painting that proves the superpower of the runty, the model of detail, and the generality of dreams.
This operate stands as a unaltered piece-a uneventful masterpiece that speaks to the soul and reminds us that symmetrical in the tiniest steps, the maximal journeys act.
Painting
price_SOLD$
sold
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