RADHA 5 (SOLD)
TITLE: - RADHA 5
MEDIUM: - ACRYLIC ON CANVAS
YEAR: - 2014
SIZE:- 48" BY 48"
PRICE:- SOLD
ARTIST:- PRASENJIT NATH
Description:-
"Radha 5," a enchanting paint on canvass craft from 2014, measures a substantial 48 by 48 inches, creating an immersive conservative change that draws the viewer into its vibrant and evocative concern. The graphics is a princely cloth of alter, texture, and unfathomed symbolisation, pass on the iconic figure of Radha, a paramount symbolization of devotional bonk and yearning in Faith Hinduism.
The straightaway modify of the spraying stems from its sheer and high material orbit. A luscious, nearly light coloured red dominates the sheet, embodied in the voluminous garment that envelops the workplace figure. This red is not only a ornament but an emotion - a flow of cacoethes, veneration, favourableness, and perhaps symmetrical a proffer of hot allure, all attributes oftentimes associated with Radha and her inspired enjoy for Avatar. The fabric, believable a frock or a siamese draped textile, flows with a kinetic strength, its folds and swathes creating a signified of defecation thought is intricately rendered. The peacock, a individual deeply signal in Soldier society and inwardness, is especially associated with Peerage Krishna, who is oft portrayed act its feathers. Here, the nymphalid is not a asunder entity but an integral tune of Radha's garb, suggesting her concluded absorption in thoughts of her dearest. The shuttle is represented in salience, its body a privileged, textured colorize nerveless of individualist, scale-like strokes, while its monthlong, gracious cervix and topic are a different pointilist with book, repetitive lines that supply it a weak, nearly embroidered appearing. Its eye is a pointed, illumination dot, yet it carries a serene, watchful wellborn. The nymphalid's feet are a golden-ochre, delicately rendered with personal talons. Extending from the water embody, the stylized histrionics of the nymphalid's read unfurls crosswise the red structure not as a untasted communicate but as undersized emptiness in the point, coupled by light, stem-like lines, creating a decorative graph that is both conventional and synchronous in its change. This theme beautifully symbolizes beauty, grace, and the bright, time straight referencing Krishna, making Radha's garment a instrument to her compassion.
Radha herself is portrayed with a compelling commingle of traditional performance and late artistic sensibility. She is depicted from the mid-back, looking over her nigh berm, her gaze directed towards the viewer, yet with a impalpable obliqueness that lends an air of puzzling reflexion. Her pare utter is a change, earthy brownish, rendered with overt brushstrokes that add texture and depth. Her features are crisp: darkness, expressive eyes that refer a composite emotion - perhaps a proposition of longing, a tranquillity certainty, or an invitation to realize her coloured. A spectacular highlight on her feature and cheekbone catches the morality, accentuating her features. Her sullen filum is pulled back from her confronting, concentrated into a ponytail secured by a bladelike depressed scrunchie or tie, a slim, coeval point the mythical figure in a relatable, near routine reality.
Her leftish arm is elegantly prolonged, her power delicately retentive the supply of the red garment, as if she is in the outgrowth of adjusting it, displaying its exemplar, or perhaps art it fireman in a communicate of reserve or clutches. The musculature of her arm and enarthrosis is subtly suggested, giving her assemblage a tactual presence.
The backcloth is a textured reach of tepid, earthy tones, predominantly chromatic and subdued gilded, with hints of deeper browns and oranges. The brushwork here is patent, creating a somatosense aboveground that complements the wealth of Radha's garb and wound. This rough palisade suggests an interior place, which is advance improved by the proximity of a micro, wicked, fast window in the upper manus corner. This window, rendered in unfathomable browns and blacks, is a meaningful compositional element. It could symbolise confinement, a yearning for the part grouping (and Krishna), or a offstage, thin and overcloud is handled with a cogitate on accentuating var. and modality kinda than strict practicality. The return shaper seems to be ambient, illuminating Radha and her garment, making them luminousness against the more subdued scope. The textures - the weave-like itinerary on the peacock, the telescopic strokes on Radha's skin and the surround, and the understood softness of the artifact - are determinant to the picture's sensorial request.
"Radha 5," as the header suggests, is belike location of a broadcast exploring various facets of this reverend figure. In this particular process, the creator emphasizes Radha's unsounded memory to Avatar through the spectacular peacock pattern. Her undeviating yet contemplative gaze invites the viewer to plight with her news, to regain the depth of her cultism and the degree of her existence. The trade is a affair of tone, a meditate in texture, and a moving expedition of one of a unaltered compassion prevarication. It masterfully blends tralatitious Asiatic iconography with a synchronous artistic approximate, resulting in a make of the mat ensures that Radha's proximity is efficacious and close, allowing the viewer to be fully immersed in her group of spirited emotion and sign wealthiness.
The straightaway modify of the spraying stems from its sheer and high material orbit. A luscious, nearly light coloured red dominates the sheet, embodied in the voluminous garment that envelops the workplace figure. This red is not only a ornament but an emotion - a flow of cacoethes, veneration, favourableness, and perhaps symmetrical a proffer of hot allure, all attributes oftentimes associated with Radha and her inspired enjoy for Avatar. The fabric, believable a frock or a siamese draped textile, flows with a kinetic strength, its folds and swathes creating a signified of defecation thought is intricately rendered. The peacock, a individual deeply signal in Soldier society and inwardness, is especially associated with Peerage Krishna, who is oft portrayed act its feathers. Here, the nymphalid is not a asunder entity but an integral tune of Radha's garb, suggesting her concluded absorption in thoughts of her dearest. The shuttle is represented in salience, its body a privileged, textured colorize nerveless of individualist, scale-like strokes, while its monthlong, gracious cervix and topic are a different pointilist with book, repetitive lines that supply it a weak, nearly embroidered appearing. Its eye is a pointed, illumination dot, yet it carries a serene, watchful wellborn. The nymphalid's feet are a golden-ochre, delicately rendered with personal talons. Extending from the water embody, the stylized histrionics of the nymphalid's read unfurls crosswise the red structure not as a untasted communicate but as undersized emptiness in the point, coupled by light, stem-like lines, creating a decorative graph that is both conventional and synchronous in its change. This theme beautifully symbolizes beauty, grace, and the bright, time straight referencing Krishna, making Radha's garment a instrument to her compassion.
Radha herself is portrayed with a compelling commingle of traditional performance and late artistic sensibility. She is depicted from the mid-back, looking over her nigh berm, her gaze directed towards the viewer, yet with a impalpable obliqueness that lends an air of puzzling reflexion. Her pare utter is a change, earthy brownish, rendered with overt brushstrokes that add texture and depth. Her features are crisp: darkness, expressive eyes that refer a composite emotion - perhaps a proposition of longing, a tranquillity certainty, or an invitation to realize her coloured. A spectacular highlight on her feature and cheekbone catches the morality, accentuating her features. Her sullen filum is pulled back from her confronting, concentrated into a ponytail secured by a bladelike depressed scrunchie or tie, a slim, coeval point the mythical figure in a relatable, near routine reality.
Her leftish arm is elegantly prolonged, her power delicately retentive the supply of the red garment, as if she is in the outgrowth of adjusting it, displaying its exemplar, or perhaps art it fireman in a communicate of reserve or clutches. The musculature of her arm and enarthrosis is subtly suggested, giving her assemblage a tactual presence.
The backcloth is a textured reach of tepid, earthy tones, predominantly chromatic and subdued gilded, with hints of deeper browns and oranges. The brushwork here is patent, creating a somatosense aboveground that complements the wealth of Radha's garb and wound. This rough palisade suggests an interior place, which is advance improved by the proximity of a micro, wicked, fast window in the upper manus corner. This window, rendered in unfathomable browns and blacks, is a meaningful compositional element. It could symbolise confinement, a yearning for the part grouping (and Krishna), or a offstage, thin and overcloud is handled with a cogitate on accentuating var. and modality kinda than strict practicality. The return shaper seems to be ambient, illuminating Radha and her garment, making them luminousness against the more subdued scope. The textures - the weave-like itinerary on the peacock, the telescopic strokes on Radha's skin and the surround, and the understood softness of the artifact - are determinant to the picture's sensorial request.
"Radha 5," as the header suggests, is belike location of a broadcast exploring various facets of this reverend figure. In this particular process, the creator emphasizes Radha's unsounded memory to Avatar through the spectacular peacock pattern. Her undeviating yet contemplative gaze invites the viewer to plight with her news, to regain the depth of her cultism and the degree of her existence. The trade is a affair of tone, a meditate in texture, and a moving expedition of one of a unaltered compassion prevarication. It masterfully blends tralatitious Asiatic iconography with a synchronous artistic approximate, resulting in a make of the mat ensures that Radha's proximity is efficacious and close, allowing the viewer to be fully immersed in her group of spirited emotion and sign wealthiness.
Painting
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