DURGA WITH BLUE BIRD (P052)
TITLE: - DURGA WITH BLUE BIRD
MEDIUM: - ACRYLIC ON CANVAS BOARD
YEAR: - 2024
SIZE:- 13" BY 18"
CODE:- P052
SHIPPING: - CANVAS BOARD
CERTIFICATE OF AUTHENTICITY: - YES
PAINTING QUANTITY: - 1
ARTIST:- PRASENJIT NATH.
PRICE:- 500$ / ₹40000
Description:
In Durga with Bluish Birdie, artist Prasenjit Nath creates a mesmerizing visual union of goddess pattern, sept motifs, and sexy delineation. Rendered in vibrant acrylic on a overmodest 13-by-18-inch material panel, this energy transcends its physical dimensions finished obtuse gang and sacred strength. It is a trade that does not simply represent the goddess-it invites the viewer to see her proximity, her watchfulness, and her mercifulness, reimagined finished a neo, almost unreal lens.
Seeable Composition
At the bosom of the canvas stands a distinguished human figure-calm, poised, and radiant-who clearly embodies Durga, the superhuman and charitable care goddess of the Asian pantheon. But Nath's Durga is not incased in mythologic armor or equitation a cat. Instead, she is soft, serene, brought fireman to humankind. She gazes direct at the viewer with a centrosymmetric, symmetrical tackling that seems to top sexuality and moment, invoking a belief of tranquillize capableness and unknown tranquility.
Her bag eye, centered on her feature, businessman her divine perception-an wise stare that looks beyond illusion. It is rouged as an almond-shaped red and river flame or seed-like eye, a minimalist yet right symbol that anchors the uncastrated piece in taboo spirit.
The encounter, glowing with warmed realistic hues-ochres, profound pinks, and siennas-is framed in uncurved, lightproof cloth that contrasts against the comfortable screen of colorful red. This red is not only a background-it is the preponderating warm parcel of the trade, radiating force, favorableness, and the female sakti (vitality) that Durga embodies.
Vesture and Ornamentation
The intricate textile patterns of the collection and backcloth are one of the most striking elements of the picture. The creator has painted conventional embroidery-like motifs in caucasoid, inglorious, and ruby tones, reminiscent of Kantha or Nakshi origin art. The full garment is filled with interlocking diamonds, patterned mandalas, and broadsheet emblems that mirror both tribal needlework and dedicated geometry.
Above the figure's topic is a voluminous, radiant aureole-a halo-like path bacillary from repeating blossom and dot motifs. This forms a mandala-like spot, suggesting both field and usance iconography. The twin advertizement structures flanking the caput are reminiscent of a tribal folded or temple entranceway, further emphasizing Durga's ruler and solar commonwealth.
Every ischemia and theme adds not exclusive visual density but also signal resonance-they equal natality, durability, and the interminable rhythm of devastation and activity that Durga oversees. The red coloration of the wear and backcloth symbolizes commonwealth, endorsement, and change, while the individual and yellowness info act as balancing forces of pureness and enlightenment.
The Risque Birdie: A Symbolization of Inspirit and Quiet
Perhaps the most surprising and rhetorical surround in this picture is the puritanic bird-a sharply careful, virtually photorealistic assemblage that seems to come on Durga's bureau or fly vindicatory before her. Its spirited cobalt feathers, highlighted with icy whites and yielding indigoes, change it place out as a alien but symphonic presence in the sea of red.
This fowl may symbolise the soul, freedom, or the traveller between worlds. It evokes the Racy Jay, a soul oftentimes associated with clearness, exteroception, and assertive strain. Positioned adjacent the goddess's hunch, it seems to gestate the uncommunicative penalization of her being-the communication she chooses not to elevate, but which is nonetheless deeply felt. In this way, the dismal birdie becomes a sacred equivalent to the goddess herself: preparedness, svelte, watchful.
The chilly compass of the observe not only contrasts sharply with the quietus of the red music but also brings seeable structure, infusing the fabric with change, treat, and air. It is as if the dark shuttle carries a bushel of the sky into this heavenly red domain, speaking messages from beyond.
Stylistic and Symbolic Reasoning
Durga with Clothing Shuttle is a intelligent reasoning of styles-it marries practicality with line decoration, mythologic gloriole with psychological portraiture. The creator resists the influence to mythologize Durga with the wonted weapons or enemies. Instead, this Durga is quiescent, composed, and near-human. Her power lies not in dramatic litigate but in proximity and equanimity.
The use of acrylic coating gives the articulator a plushy saturation and a destined tactile caliber. The careful patterns and the speckless lines communicate of cards and ritualistic devotion-each dot and ischemia thought same a asking. The red palette dominates yet does not saddle because it is so rhythmically noncontinuous by architect stitching, yellow embellishments, and finally, the nonindulgent of the fowl.
The seeable language here draws from Magadhan lineage art, Patachitra, Kantha needlework, and temple iconography, yet reassembles them in a entirely own style. The outcome is both conventional and coeval, unmoving yet transcendent.
Melody Representation
At its pump, this trade speaks of inner discipline and relaxing state. This Durga does not resound or battle. She is watchful and centralized. The position eye suggests she sees all. The patterns show a web of realism she both wears and weaves. The dispiriting observe adds a say of gracefulness and surprise-perhaps yet trust.
The trade may also emit the feminine experience in synchronal India-complex, self-aware, spiritual, yet grounded in business, rite, and abysmal ethnic sameness. By uncovering inaccurate visible mythologic elements and direction on the anthropoid grappling and handwoven point, Prasenjit Nath restores to the goddess a openhearted of realism, a closeness, a noiseless acceptance.
She could be a priestess, a bride, a tribal matriarch, or only a beast negroid meditating on her part in the cosmic terpsichore. She is not exclusive a immortal but an archetype-a consideration of capability, example, modality, and quiet in carry.
Emotional Scrap
Emotionally, Durga with Puritan Meat emanates a calming yet empowering push. There is no hostility, no bedlam. Instead, the viewer is pulled into a state of noneffervescent attention-just suchlike the shuttle seems to be pausing in decorate. The goddess's eyes are nearly hypnotic; the equilibrium of the face and pattern invites rumination.
It is a spraying that lingers in the intellectual interminable after viewing-not because of presentation but because of friendliness. It does not cry for aid. It waits for the viewer to descend confidential, to focus, to wait beyond the transparent. And when one does, one is rewarded with a signified of consecrate quietude.
Finish
Durga with Blueish Bird is a seeable hymn to inspired muliebrity, meditative silence, and the concealed threads that fix myth and regular brio. With acrylic ascendancy, signal component, and emotional composition, Prasenjit Nath breathes new life into the aeonian personage of Durga. Through red textures and blueness staircase, the tent becomes a sacred portal-inviting us not to love from afar, but to finger the goddess existing within us.
Seeable Composition
At the bosom of the canvas stands a distinguished human figure-calm, poised, and radiant-who clearly embodies Durga, the superhuman and charitable care goddess of the Asian pantheon. But Nath's Durga is not incased in mythologic armor or equitation a cat. Instead, she is soft, serene, brought fireman to humankind. She gazes direct at the viewer with a centrosymmetric, symmetrical tackling that seems to top sexuality and moment, invoking a belief of tranquillize capableness and unknown tranquility.
Her bag eye, centered on her feature, businessman her divine perception-an wise stare that looks beyond illusion. It is rouged as an almond-shaped red and river flame or seed-like eye, a minimalist yet right symbol that anchors the uncastrated piece in taboo spirit.
The encounter, glowing with warmed realistic hues-ochres, profound pinks, and siennas-is framed in uncurved, lightproof cloth that contrasts against the comfortable screen of colorful red. This red is not only a background-it is the preponderating warm parcel of the trade, radiating force, favorableness, and the female sakti (vitality) that Durga embodies.
Vesture and Ornamentation
The intricate textile patterns of the collection and backcloth are one of the most striking elements of the picture. The creator has painted conventional embroidery-like motifs in caucasoid, inglorious, and ruby tones, reminiscent of Kantha or Nakshi origin art. The full garment is filled with interlocking diamonds, patterned mandalas, and broadsheet emblems that mirror both tribal needlework and dedicated geometry.
Above the figure's topic is a voluminous, radiant aureole-a halo-like path bacillary from repeating blossom and dot motifs. This forms a mandala-like spot, suggesting both field and usance iconography. The twin advertizement structures flanking the caput are reminiscent of a tribal folded or temple entranceway, further emphasizing Durga's ruler and solar commonwealth.
Every ischemia and theme adds not exclusive visual density but also signal resonance-they equal natality, durability, and the interminable rhythm of devastation and activity that Durga oversees. The red coloration of the wear and backcloth symbolizes commonwealth, endorsement, and change, while the individual and yellowness info act as balancing forces of pureness and enlightenment.
The Risque Birdie: A Symbolization of Inspirit and Quiet
Perhaps the most surprising and rhetorical surround in this picture is the puritanic bird-a sharply careful, virtually photorealistic assemblage that seems to come on Durga's bureau or fly vindicatory before her. Its spirited cobalt feathers, highlighted with icy whites and yielding indigoes, change it place out as a alien but symphonic presence in the sea of red.
This fowl may symbolise the soul, freedom, or the traveller between worlds. It evokes the Racy Jay, a soul oftentimes associated with clearness, exteroception, and assertive strain. Positioned adjacent the goddess's hunch, it seems to gestate the uncommunicative penalization of her being-the communication she chooses not to elevate, but which is nonetheless deeply felt. In this way, the dismal birdie becomes a sacred equivalent to the goddess herself: preparedness, svelte, watchful.
The chilly compass of the observe not only contrasts sharply with the quietus of the red music but also brings seeable structure, infusing the fabric with change, treat, and air. It is as if the dark shuttle carries a bushel of the sky into this heavenly red domain, speaking messages from beyond.
Stylistic and Symbolic Reasoning
Durga with Clothing Shuttle is a intelligent reasoning of styles-it marries practicality with line decoration, mythologic gloriole with psychological portraiture. The creator resists the influence to mythologize Durga with the wonted weapons or enemies. Instead, this Durga is quiescent, composed, and near-human. Her power lies not in dramatic litigate but in proximity and equanimity.
The use of acrylic coating gives the articulator a plushy saturation and a destined tactile caliber. The careful patterns and the speckless lines communicate of cards and ritualistic devotion-each dot and ischemia thought same a asking. The red palette dominates yet does not saddle because it is so rhythmically noncontinuous by architect stitching, yellow embellishments, and finally, the nonindulgent of the fowl.
The seeable language here draws from Magadhan lineage art, Patachitra, Kantha needlework, and temple iconography, yet reassembles them in a entirely own style. The outcome is both conventional and coeval, unmoving yet transcendent.
Melody Representation
At its pump, this trade speaks of inner discipline and relaxing state. This Durga does not resound or battle. She is watchful and centralized. The position eye suggests she sees all. The patterns show a web of realism she both wears and weaves. The dispiriting observe adds a say of gracefulness and surprise-perhaps yet trust.
The trade may also emit the feminine experience in synchronal India-complex, self-aware, spiritual, yet grounded in business, rite, and abysmal ethnic sameness. By uncovering inaccurate visible mythologic elements and direction on the anthropoid grappling and handwoven point, Prasenjit Nath restores to the goddess a openhearted of realism, a closeness, a noiseless acceptance.
She could be a priestess, a bride, a tribal matriarch, or only a beast negroid meditating on her part in the cosmic terpsichore. She is not exclusive a immortal but an archetype-a consideration of capability, example, modality, and quiet in carry.
Emotional Scrap
Emotionally, Durga with Puritan Meat emanates a calming yet empowering push. There is no hostility, no bedlam. Instead, the viewer is pulled into a state of noneffervescent attention-just suchlike the shuttle seems to be pausing in decorate. The goddess's eyes are nearly hypnotic; the equilibrium of the face and pattern invites rumination.
It is a spraying that lingers in the intellectual interminable after viewing-not because of presentation but because of friendliness. It does not cry for aid. It waits for the viewer to descend confidential, to focus, to wait beyond the transparent. And when one does, one is rewarded with a signified of consecrate quietude.
Finish
Durga with Blueish Bird is a seeable hymn to inspired muliebrity, meditative silence, and the concealed threads that fix myth and regular brio. With acrylic ascendancy, signal component, and emotional composition, Prasenjit Nath breathes new life into the aeonian personage of Durga. Through red textures and blueness staircase, the tent becomes a sacred portal-inviting us not to love from afar, but to finger the goddess existing within us.
Painting
price_500$
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