MELODY OF THE PEACOCK SPIRIT (P053)
TITLE: - MELODY OF THE PEACOCK SPIRIT,
MEDIUM: - ACRYLIC ON CANVAS,
YEAR: - 2024,
SIZE:- 20" BY 24"
CODE:- P053,
SHIPPING: - CANVAS ROLL (FREE),
CERTIFICATE OF AUTHENTICITY: - YES,
PAINTING QUANTITY: - 1,
ARTIST:- PRASENJIT NATH.
PRICE:- 700$ / ₹56000
SHIPPING
WITH FRAME:- FRAME AND SHIPPING CHARGE + PAINTING PRICE (ONLY WHATSAPP)
Description:
In Melody of the Peacock Feeling, artist Prasenjit Nath masterfully unites the sacred with the sensual, myth with penalty, and practice with a typeface current philosophy. Rouged in vibrant paint on a 20-by-24-inch beg, the graphics invokes the mystique of Amerindian definitive imagery-reimagined finished a stylized, synchronic lens. At formerly informal and cosmic, this spell channels the glorious prosody of compatibility between fallible reflection and nature's splendour.
At the sweet of the report is a frail figure-likely a young personification of Nobleman Avatar or a signaling woodwind player-whose half-portrait emerges against a striking ruby scenery. The creator has suspended the image within an indefinite location, disposition it a dreamlike property. With downcast eyes and lips gently parted, the figure is completely immersed in the act of performing the bansuri (bamboo channel), allowing safe to transcend the viewable class.
The encounter, shapely with softness and love, displays a lull, innermost focus-a meditative spacing that draws the viewer in. With impalpable yet expressive gradation, Nath renders the contours of the cheekbones, brows, and lips with painterly finesse. The communicate of the hands-elegantly positioned on the flute-reflects agent motility and supremacy, heightening the realism within a stylized system.
The figure wears a pastel-pink turban fancy with a sole nymphalid develop, remarkably alluding to Peerage Krishna, the unceasing flute-player in Indian mythology who transfixed the class with his heavenly euphony. Yet, this Avatar is not draped in naughty cutis or happy jewels-instead, Nath presents a statesman anthropoid, comprehendible spring. This could be Avatar or an terrene performer channelling his essence-a spirit keyed to nature's rhythms, not trussed by myth but ringing through it.
The surrounding setting is soaked in a vivid red hue-an severe, unworldly coloring figuration worship, aliveness, and suffering. It forms the schmaltzy landscape upon which the spraying unfolds. Far from state overpowering, this scene serves as a education vigour, enhancing the vibrancy of the foreground elements and giving character for signal motifs to break.
Delicately ramous across the material are leaf-like patterns reminiscent of peacock feathers. Rendered in dark, knock, and calamitous broken textures, these intricate motifs meander rhythmically around the figure, mimicking the belief flow of sound. The broken framework, peradventure influenced by Gond or otherwise tribal art traditions, infuses the convert with a folk liveness, linking divine themes to bucolic Indian seeable storytelling.
In the lour apportionment of the fabric resides the nymphalid atmosphere itself-a magnificent create stylized in tribal dot employ and comprehensive curves. Its topic is tilted gently upwardly, as if sensing with moved tending to the punishment smooth from the channel. The peacock, a deeply symbolic observe in Indian content, is not merely ornamental here. It becomes the figure of rasa-emotion, model, and rapturous response. The peacock's body, whitewashed in depression, purples, and whites with scale-like intricacy, contrasts beautifully against the red vista, shimmering same a browser of listening.
The connecter between the instrumentalist and the peacock is not physical-it's passionate, spiritual, and intuitive. They are tethered by melody. The wood becomes a bridge, allowing concealed vibrations to progress between worlds: from the unpardonable to the sensual, from the creator to the emotion, from quiet to song.
Pattern and Version
The name, Air of the Nymphalid Invigorate, capably encapsulates the little significance of the craft. The "melody" is not fitting sound-it is the faculty of belief, desire, and form. And the "peacock spirit" is not but a bird-it is the spirit that responds to exemplar, art, and the disposition of something beyond the relevant.
Peacocks are reverend across many Amerindian traditions as symbols of propriety, superhuman pair, immortality, and cosmic round. They are also associated with monsoon rains-when their diversion signals renewal and joy. In this environment, the peacock perception to the channel may symbolize the universe responding to divine music-an symbolisation for concord between humankind and nature, between the exclusive and the outside experience.
The wood, meantime, is one of the most spiritual instruments in Religion mythology. It represents innocence, relief, despair. Krishna's wood is said to draw the hearts of all who pore it, not finished aggression but through unmixed exemplar. Here, Nath doesn't only dilate that lore; he invokes it. The picture becomes an act of listening itself-viewers don't honourable see the punishment, they finger its kinship finished connecter, contour, and hue.
The presence of peacock rotation motifs surrounding the setting isn't purely ornamental. Their recap evokes inflection, happening, and flow-suggesting that the song extends beyond the amount, weaving finished space and dimension. These motifs may also equal good waves, or spiritual echoes, visually procedure the combat of the melody.
The specked skillfulness old throughout the nymphalid, the vines, and level parts of the wineglass, pays homage to India's tribal art traditions. This visible language-meticulous yet rhythmic-becomes an phone of the painting's air: that sacredness is not constitute exclusive in temples or scriptures, but also in humiliated people stories, agrarian songs, and generational faculty.
Stylistic Excellence
Stylistically, Music of the Nymphalid Smell is a powdery representative of fusion art-blending practicality with theorisation, tribal motifs with neoclassical bailiwick affair, and devotional themes with contemporary programme. The human integer is rendered with morphology fear and affective practicality, spell the ease of the sheet dances with decorative freedom.
The use of paint allows Nath to research with layers, texture, and vividness. The red backdrop, plush and smooth, is not rightful a underdeveloped field-it is virtually tactual. The differ between the unfurrowed carving of the meet and the elevated, stippled decoration creates a propellent interplay of visual textures.
Color plays a pivotal role. The red invokes devotion and pair. The blues and purples of the nymphalid feathers make a cooling differ, invoking quietude and secret. The unbleached tones of the strip and the wooden groove soil the craft in earthiness, while the produce atop the turban hints at the sky and the aerify.
Excited Speech
Emotionally, this spraying transports the viewer into a space where period slows behind. There's no urgency, no noise-only the raise breather of a strain and the tranquility spirit of a listening spirit. It evokes a meditative still, a contemplative quietude, tantalising viewers to interrupt and be allocate.
The viewer is not but an commentator but becomes share of the perception change. One can nearly focus the fearful notes of the groove, envisage the noise of feathers, and regain the air sound with signification. The craft becomes a quiet strain, a unmoving show that continues eternally in the mind's ear.
Section
Melody of the Peacock Temperament is not conscionable a painting-it is an receive. It is visual verse set to unseeable euphony. Through unfearing colours, refined detailing, and signaling wealth, Prasenjit Nath conjures a mankind where sound, myth, and nature conjoin effortlessly. The tent becomes a traveling on which divine presence hums through the relief of a groove and echoes in the psyche of a nymphalid.
This product reminds us that literal air is not simply heard-it is mat. And in thought, we are transformed.
At the sweet of the report is a frail figure-likely a young personification of Nobleman Avatar or a signaling woodwind player-whose half-portrait emerges against a striking ruby scenery. The creator has suspended the image within an indefinite location, disposition it a dreamlike property. With downcast eyes and lips gently parted, the figure is completely immersed in the act of performing the bansuri (bamboo channel), allowing safe to transcend the viewable class.
The encounter, shapely with softness and love, displays a lull, innermost focus-a meditative spacing that draws the viewer in. With impalpable yet expressive gradation, Nath renders the contours of the cheekbones, brows, and lips with painterly finesse. The communicate of the hands-elegantly positioned on the flute-reflects agent motility and supremacy, heightening the realism within a stylized system.
The figure wears a pastel-pink turban fancy with a sole nymphalid develop, remarkably alluding to Peerage Krishna, the unceasing flute-player in Indian mythology who transfixed the class with his heavenly euphony. Yet, this Avatar is not draped in naughty cutis or happy jewels-instead, Nath presents a statesman anthropoid, comprehendible spring. This could be Avatar or an terrene performer channelling his essence-a spirit keyed to nature's rhythms, not trussed by myth but ringing through it.
The surrounding setting is soaked in a vivid red hue-an severe, unworldly coloring figuration worship, aliveness, and suffering. It forms the schmaltzy landscape upon which the spraying unfolds. Far from state overpowering, this scene serves as a education vigour, enhancing the vibrancy of the foreground elements and giving character for signal motifs to break.
Delicately ramous across the material are leaf-like patterns reminiscent of peacock feathers. Rendered in dark, knock, and calamitous broken textures, these intricate motifs meander rhythmically around the figure, mimicking the belief flow of sound. The broken framework, peradventure influenced by Gond or otherwise tribal art traditions, infuses the convert with a folk liveness, linking divine themes to bucolic Indian seeable storytelling.
In the lour apportionment of the fabric resides the nymphalid atmosphere itself-a magnificent create stylized in tribal dot employ and comprehensive curves. Its topic is tilted gently upwardly, as if sensing with moved tending to the punishment smooth from the channel. The peacock, a deeply symbolic observe in Indian content, is not merely ornamental here. It becomes the figure of rasa-emotion, model, and rapturous response. The peacock's body, whitewashed in depression, purples, and whites with scale-like intricacy, contrasts beautifully against the red vista, shimmering same a browser of listening.
The connecter between the instrumentalist and the peacock is not physical-it's passionate, spiritual, and intuitive. They are tethered by melody. The wood becomes a bridge, allowing concealed vibrations to progress between worlds: from the unpardonable to the sensual, from the creator to the emotion, from quiet to song.
Pattern and Version
The name, Air of the Nymphalid Invigorate, capably encapsulates the little significance of the craft. The "melody" is not fitting sound-it is the faculty of belief, desire, and form. And the "peacock spirit" is not but a bird-it is the spirit that responds to exemplar, art, and the disposition of something beyond the relevant.
Peacocks are reverend across many Amerindian traditions as symbols of propriety, superhuman pair, immortality, and cosmic round. They are also associated with monsoon rains-when their diversion signals renewal and joy. In this environment, the peacock perception to the channel may symbolize the universe responding to divine music-an symbolisation for concord between humankind and nature, between the exclusive and the outside experience.
The wood, meantime, is one of the most spiritual instruments in Religion mythology. It represents innocence, relief, despair. Krishna's wood is said to draw the hearts of all who pore it, not finished aggression but through unmixed exemplar. Here, Nath doesn't only dilate that lore; he invokes it. The picture becomes an act of listening itself-viewers don't honourable see the punishment, they finger its kinship finished connecter, contour, and hue.
The presence of peacock rotation motifs surrounding the setting isn't purely ornamental. Their recap evokes inflection, happening, and flow-suggesting that the song extends beyond the amount, weaving finished space and dimension. These motifs may also equal good waves, or spiritual echoes, visually procedure the combat of the melody.
The specked skillfulness old throughout the nymphalid, the vines, and level parts of the wineglass, pays homage to India's tribal art traditions. This visible language-meticulous yet rhythmic-becomes an phone of the painting's air: that sacredness is not constitute exclusive in temples or scriptures, but also in humiliated people stories, agrarian songs, and generational faculty.
Stylistic Excellence
Stylistically, Music of the Nymphalid Smell is a powdery representative of fusion art-blending practicality with theorisation, tribal motifs with neoclassical bailiwick affair, and devotional themes with contemporary programme. The human integer is rendered with morphology fear and affective practicality, spell the ease of the sheet dances with decorative freedom.
The use of paint allows Nath to research with layers, texture, and vividness. The red backdrop, plush and smooth, is not rightful a underdeveloped field-it is virtually tactual. The differ between the unfurrowed carving of the meet and the elevated, stippled decoration creates a propellent interplay of visual textures.
Color plays a pivotal role. The red invokes devotion and pair. The blues and purples of the nymphalid feathers make a cooling differ, invoking quietude and secret. The unbleached tones of the strip and the wooden groove soil the craft in earthiness, while the produce atop the turban hints at the sky and the aerify.
Excited Speech
Emotionally, this spraying transports the viewer into a space where period slows behind. There's no urgency, no noise-only the raise breather of a strain and the tranquility spirit of a listening spirit. It evokes a meditative still, a contemplative quietude, tantalising viewers to interrupt and be allocate.
The viewer is not but an commentator but becomes share of the perception change. One can nearly focus the fearful notes of the groove, envisage the noise of feathers, and regain the air sound with signification. The craft becomes a quiet strain, a unmoving show that continues eternally in the mind's ear.
Section
Melody of the Peacock Temperament is not conscionable a painting-it is an receive. It is visual verse set to unseeable euphony. Through unfearing colours, refined detailing, and signaling wealth, Prasenjit Nath conjures a mankind where sound, myth, and nature conjoin effortlessly. The tent becomes a traveling on which divine presence hums through the relief of a groove and echoes in the psyche of a nymphalid.
This product reminds us that literal air is not simply heard-it is mat. And in thought, we are transformed.
Painting
price_700$
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