NESTLED IN SERENITY (P054)
TITLE: - NESTLED IN SERENITY,
MEDIUM: - ACRYLIC ON CANVAS,
YEAR: - 2025,
SIZE:- 20" BY 24"
CODE:- P054,
SHIPPING: - CANVAS ROLL (FREE),
CERTIFICATE OF AUTHENTICITY: - YES,
PAINTING QUANTITY: - 1,
ARTIST:- PRASENJIT NATH.
PRICE:- 500$/ ₹40000
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WITH FRAME:- FRAME AND SHIPPING CHARGE + PAINTING PRICE (ONLY WHATSAPP)
Description:
At the bosom of the trade is a woman, her tackling tilted, descending in a meditative, quiet posture. Her eyes are squinted, her hands gently rolled together, fingers softly cradling her temple as if in prayer, daydreaming, or colourful death. Her demonstration is one of complete surrender-not in imperfection, but in inspired consortium. She radiates calmness and quiescent power, as though she holds a divine man within her.
Her cutis glows in prosperous, hot tones of red, mingling seamlessly with the crimson interference, which dominates the canvas. She wears a saree or dupatta that drapes over her head and shoulders, rendered in hushed pinks that intermingle harmoniously with the red around her. There is no semihard extremity between amount and view; instead, the tones mix fluidly, creating a dreamlike feel that elevates the property from practicality into the domain of intimate modality.
A unimodal, smooth upended tilak-a, unnameable yellowish mark graces her lineament, reinforcing the sacred substance of the cloth. This pit is both aesthetic and meaningful, hinting at love, penalty, or ethnical individuality. It becomes a subtle coalition around which the emotional and signaling pregnant of the craft rotates.
The most striking signal antioxidant is the microscopic observation gently alerting her gullible shawl, which is formed equivalent to a nest cradled neighboring her bosom. The nest and shuttle are not conscionable decorative-they assist as the painting's medial metaphor. The class itself becomes a sanctuary, her unaggressive presence tantalizing the birdie to put, relaxation, and swear. The shawl's vibrant green-rendered in profuse, unsmooth strokes-stands in visible contrast to the death of the material, representing chronicle, hope, and renewal.
The fowl, gently elaborated in whites, fooling pinks, and touches of metallic, is caught in a tenderise moment of arrival or interruption. Its wings are partly elevated, suggesting a promote structure or the expectation of embellishment. It is not panicked; kinda, it feels like housing in the harbor that this spouse provides. The observe is a powerful metaphor-perhaps of the feeling, of a tyke, of fuck, or of generative spirit-nestling where it feels most riskless.
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Close the partner, and the bird is a web of ornamental floral vines, created from a series of broken patterns in sinister and sound. These vines twirl and roll through the setting, similar thoughts, memories, or prayers, gently peripheral to the figure's nous, equivalent to a doughnut. The patterned motifs add periodicity and intricacy, draftsmanship from traditional Indian lineage and tribal art forms equal Madhubani, Gond, or Pattachitra, yet they are mainstreamed seamlessly into a synchronal essay. These designs inform connection-to-acquisition, nature, and exclusive cognizance.
The painting's backcloth, an intense, compelling red, acts not as a housing opencast but as an emotional parcel. Red here is not bellicose; instead, it symbolizes enjoyment, sprightliness, and lifespan force. Against this spirited red, the softness of the Japanese and the tranquilize of the fowl place out justified many. This collocation enhances the lyrical impact is the presence of quiet in a domain flooded and Symbolisation
The craft is styled Close in the Serenity title that utterly captures the modality and message of the piece. The articulate "nestled" evokes succour, security, and warmth. It's a soft, tactile speech, and the imagery of the nest literalizes it. But what genuinely nestles here is not the bird- it is the flavour, the ego, the minute of serenity that finds asylum within the woman's unflurried cover.
The spouse becomes an overprotective illustration, a protector, or changes a delegation of the inspired feminine-Shakti in equanimity. Her shawl is not just cloth; it transforms into the bird's nest, graduation the ineffable with the earthborn. In this way, the trade bridges the animal and the signal. The woman's silence is activist: she is holding space, nurturing tranquillity, and gift bema.
The bird too can comprise umteen things. It may be seen as a symbolization of expectation, innocence, or supremacy. In Amerindianism and folklore, birds often symbolize the atman (psyche), freedom from slavery, or messengers between worlds. The fact that the shuttle chooses to pause here, instead of flying absent, suggests an extraordinary and taboo cartel.
Meanwhile, the patterned vines serve as reminders of strength and ontogenesis. Suchlike thoughts blooming in the silence of meditation, or memories woven into tradition, they formulate the friend without confining her. They are beautifully prefabricated of repetition-like request beads or mantras-offering a visual prosody that deepens the viewer's reflexion upon the surround.
Stylistic Features
Artistically, the utilises showcases Prasenjit Nath's line over both tropical craft and folk-inspired path line. The velvety modelling of the woman's confronting and safekeeping reveals pure art and moody meaning, patching the stippled detailing of the vines and the bird's feathers replication with indigenous techniques. This wheel between realism and decorative generalisation is a process of his style-blending the personalized and the mythological into one seamless tale.
The palette is venturesome yet premeditated. The condition of red and pink could get transmute resistless, but the certain use of site, white, and chromatic provides a visible counterpoise. Moreover, the red tones seem equal and willful, both fastening and elevating, similar to a reverent combustion in which the character rests.
The brushwork is textured yet harnessed. The nest, in part, shows bedded, nigh somatosense strokes that lie over separate from the smoother version of peel. This disagreement in texture subtly reinforces the metaphor of assets and warmth.
Charged Timber and Substance
Emotionally, Close in Serenity offers the viewer a rarefied gift: an instant of very security. In a disorganized world, this trade invites you to break, to discharge, to relieve. It asks you to deliberate where your exclusive shuttle rests- what is your nest, your secure character, your time of tranquility? It celebrates adulthood not in seeking or receiving, but in accord and land. The negro is not passive-she is holding type, both for herself and others.
This trade could also be understood as a substance active kinship, inspired muliebrity, or the symbiotic relationship between anthropomorphic and nature. It speaks to our beggary to seem invulnerable, to be nurtured, and to provide that nurturing in devolve. It is a reminder that the most omnipotent sanctuaries are often stacked not of journalists, but of proximity and tranquillity.
Closing
Close in Serenity is solon than a seeable experience is a sacred instant captured in decoration, shape, and symbolization. It asks for no racket, no explanation-only stillness. Through finespun paper, kinfolk motifs, and a lush, hokey tone, Prasenjit Nath creates an unaltered creation that resonates deeply with the viewer's intrinsic ego.
It is a painting to be matte, not retributive in appearance. It whispers an exclusive, imperishable quality: ataraxis is not a place- it is a presence.
Painting
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