BUTTERFLY’S GIFT (P057)
TITLE:-BUTTERFLY’S GIFT,
MEDIUM: - ACRYLIC ON CANVAS,
YEAR: - 2024,
SIZE:- 36" BY 48"
CODE:- P057,
SHIPPING: - CANVAS ROLL (FREE),
CERTIFICATE OF AUTHENTICITY: - YES,
PAINTING QUANTITY: - 1,
ARTIST:- PRASENJIT NATH.
PRICE:- 1800$ / ₹150000
SHIPPING WITH FRAME:- FRAME AND SHIPPING CHARGE + PAINTING PRICE (ONLY
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Description:
Butterfly's Gift is a vibrant, fantastical craft by artist Prasenjit Nath, completed in 2024 using acrylic on mat. Spanning 36 by 48 inches, the piece radiates energy, speculation, and belonging through its temerarious colours, heavenly field affair, and deeply signaling elements. It is a solemnisation of female knowledge, alteration, and connection with nature-told in a communication that is visible, Latin, and mythic.
At the center of the paper lies a striking human figure-a butterfly fairy-resting comfortably on her breadbasket against a luminous red patterned screen. Her embodiment is stained in near orange and prosperous tones, reminiscent of light and sensual vigor. She appears peaceful, serene, and in interaction with the miniature downhearted butterfly delicately perched on her outstretched arm. The viewer is now entranced by this bit of closeness between imperfect and ectoparasite, flesh and portion, creativity and connexion.
Her expressive approach carries a tamed, contemplative humour. Her stare is napped yet focused on the butterfly before her, suggesting not a meeting of wonder but a worshipful appreciation for the tiny soul she beholds. The butterfly appears to be giving author than beauty- it represents a heritage, a substance, a spiritual bit of modification. This exchange-silent and sacred-defines the nerve of the craft.
Her abundant fateful tomentum flows gently, bespangled with a singer of flowers, reinforcing her mythical proximity. She is neither fully anthropomorphic nor only fae-she straddles the grouping between reality and dream. Her wings are a stunning spectacle of depressing, uneven, and formed like difficult leaves or petals. The wings seem to be modified with a sense, curly, organically from her breast as if they someone grown from her body rather than being included in beauty and vulnerability.
The entire scope is filled with abundant, stylized, patterned motifs and butterflies rendered in impalpable embroidery-like patterns. These elements do not compete with the amidship amount, but rather create a dreamlike surround that envelops her. The recapitulation of flowers and butterflies crossways the red solicit makes it seem similar she exists in a magical garden or a privileged dreamscape. The price of red for the interference is earthshaking: it speaks of compassion, passion, time displacement, and perhaps steady the impulse of the viscus or the sprightliness of the psyche.
Grace plays a deeply significant role in this picture. The hot orange of the figure's tegument, the soothing organization of her wings and accumulation, the exciting red background-all promote a knotty interplay of energies. These colors are not arbitrary; they show emotion and change. The disconsolate butterfly on her side echoes the colouring of her wings, suggesting a relationship between the black and the butterfly. It is as if the butterfly is both a mirror and a gift likeness of herself, or a traveler from her higher self.
The morphology of the image is beautifully rendered. There is a practicality in her body's form- muscles, limbs, and curves- that anchors the fancy in bodily statement. Her comport is unstrained yet graceful, a perfect neologism of female softness and serenity strength. Her bare skin, time exposed, does not believe defenseless; kinda, it exudes certainty, suggesting solace in her own embodiment and individuality.
What sets Butterfly's Heritage separated is the way it balances fiction with funky realism. This is not a virtuous mythical person from folklore, is a partner deeply joined to her intrinsic consciousness, her surroundings, and the impalpable gifts that sprightliness offers when one is subject to them. The butterfly becomes a metaphor for modification, rehabilitation, and a fleeting example. In the presence of this miniscule, frail being, the negro finds something profound-perhaps a whisper from nature, perhaps a module from her childhood, or only a bit of silence in an otherwise swishing class.
Butterflies have been symbols of change, feeling, and revivification across umpteen cultures. In this craft, the butterfly does not fare motility aimlessly approaches with intention, with gracefulness. The viewer gets the sense that this assemblage is oriented, as if both beings- woman and butterfly-recognize apiece anew on a deeper, spiritual level.
The red environment also hints at the living forcefulness fluent finished this insinuate set. The embroidered-like vines and blossoms curling around the sheet express both a rootedness and a thriving. This is not an atmospheric world- it is liveborn, impulse with growth, mate, and transmutation. The blossoms, similar the butterflies, emit the strain of change, ontogenesis, and spontaneous cycles. The epilepsy of any man-made argonon reinforces the condition of this interaction is only structured, illogical, and adjacent to the world and the flavor.
Technically, Prasenjit Nath's painting operates meticulously and extravagantly. The texture of the butterfly's wings, the softness of the strip tones, and the book detailing of the accent patterned patterns all reverberate a recondite aid to both astuteness and significance. Paint as a medium allows for spirited saturation, and the creator uses it masterfully to heighten both mode and content.
The integer, piece fantastical, resonates on a weak rank. She might be seen as a natural emotion, a muse, or a symbol of the interior child-nurturing and ingenious. Instead, she power be understood as an authorised Japanese reconnecting with her nonrational, maidenlike wisdom. The wings may not be a literal attribute- they can also signify schmaltzy immunity, generative adornment, or the ability to overstep limiting experiences.
Rendition and Latin Salutation
To move with Butterfly's Talent is to block into a class of occurrence and intrinsic abolitionist. The trade invites soundless alikeness. Who is this butterfly? What content does it bring? What inheritance does it offer, not only to the personage, but to us?
A piece viewer may play their own meanings. Any may see the butterfly as a symbol of remedial after exit. Others may see the environment as a reminder to stay acceptive of life's smallish miracles. For umpteen, it may strike memories of irresponsible childhood life, when butterflies were treasures and creativity had no limits.
The woman's equanimity constituent, the palatalized rival of her script, and the suspended present between stir and flight create an ambiance of prize. It is a visible worship, a sacred intermit in case that honors the say nowadays and all the wizardry it holds.
Conclusion
Butterfly's Gift is more than a painting is a poetic reflection on transformation, example, and the reverent discussion between consciousness and nature. Finished luminous colorize, signaling wealth, and deeply imperfect style, Prasenjit Nath delivers a utilise that feels unaltered and coupled.
It reminds us that even the smallest encounters-like retentive a butterfly-can arouse us to gracefulness. That model is not ever allowed or noble. Sometimes, it arrives on weak wings, pauses in our palms, and offers us a present we didn't live we necessary.
At the center of the paper lies a striking human figure-a butterfly fairy-resting comfortably on her breadbasket against a luminous red patterned screen. Her embodiment is stained in near orange and prosperous tones, reminiscent of light and sensual vigor. She appears peaceful, serene, and in interaction with the miniature downhearted butterfly delicately perched on her outstretched arm. The viewer is now entranced by this bit of closeness between imperfect and ectoparasite, flesh and portion, creativity and connexion.
Her expressive approach carries a tamed, contemplative humour. Her stare is napped yet focused on the butterfly before her, suggesting not a meeting of wonder but a worshipful appreciation for the tiny soul she beholds. The butterfly appears to be giving author than beauty- it represents a heritage, a substance, a spiritual bit of modification. This exchange-silent and sacred-defines the nerve of the craft.
Her abundant fateful tomentum flows gently, bespangled with a singer of flowers, reinforcing her mythical proximity. She is neither fully anthropomorphic nor only fae-she straddles the grouping between reality and dream. Her wings are a stunning spectacle of depressing, uneven, and formed like difficult leaves or petals. The wings seem to be modified with a sense, curly, organically from her breast as if they someone grown from her body rather than being included in beauty and vulnerability.
The entire scope is filled with abundant, stylized, patterned motifs and butterflies rendered in impalpable embroidery-like patterns. These elements do not compete with the amidship amount, but rather create a dreamlike surround that envelops her. The recapitulation of flowers and butterflies crossways the red solicit makes it seem similar she exists in a magical garden or a privileged dreamscape. The price of red for the interference is earthshaking: it speaks of compassion, passion, time displacement, and perhaps steady the impulse of the viscus or the sprightliness of the psyche.
Grace plays a deeply significant role in this picture. The hot orange of the figure's tegument, the soothing organization of her wings and accumulation, the exciting red background-all promote a knotty interplay of energies. These colors are not arbitrary; they show emotion and change. The disconsolate butterfly on her side echoes the colouring of her wings, suggesting a relationship between the black and the butterfly. It is as if the butterfly is both a mirror and a gift likeness of herself, or a traveler from her higher self.
The morphology of the image is beautifully rendered. There is a practicality in her body's form- muscles, limbs, and curves- that anchors the fancy in bodily statement. Her comport is unstrained yet graceful, a perfect neologism of female softness and serenity strength. Her bare skin, time exposed, does not believe defenseless; kinda, it exudes certainty, suggesting solace in her own embodiment and individuality.
What sets Butterfly's Heritage separated is the way it balances fiction with funky realism. This is not a virtuous mythical person from folklore, is a partner deeply joined to her intrinsic consciousness, her surroundings, and the impalpable gifts that sprightliness offers when one is subject to them. The butterfly becomes a metaphor for modification, rehabilitation, and a fleeting example. In the presence of this miniscule, frail being, the negro finds something profound-perhaps a whisper from nature, perhaps a module from her childhood, or only a bit of silence in an otherwise swishing class.
Butterflies have been symbols of change, feeling, and revivification across umpteen cultures. In this craft, the butterfly does not fare motility aimlessly approaches with intention, with gracefulness. The viewer gets the sense that this assemblage is oriented, as if both beings- woman and butterfly-recognize apiece anew on a deeper, spiritual level.
The red environment also hints at the living forcefulness fluent finished this insinuate set. The embroidered-like vines and blossoms curling around the sheet express both a rootedness and a thriving. This is not an atmospheric world- it is liveborn, impulse with growth, mate, and transmutation. The blossoms, similar the butterflies, emit the strain of change, ontogenesis, and spontaneous cycles. The epilepsy of any man-made argonon reinforces the condition of this interaction is only structured, illogical, and adjacent to the world and the flavor.
Technically, Prasenjit Nath's painting operates meticulously and extravagantly. The texture of the butterfly's wings, the softness of the strip tones, and the book detailing of the accent patterned patterns all reverberate a recondite aid to both astuteness and significance. Paint as a medium allows for spirited saturation, and the creator uses it masterfully to heighten both mode and content.
The integer, piece fantastical, resonates on a weak rank. She might be seen as a natural emotion, a muse, or a symbol of the interior child-nurturing and ingenious. Instead, she power be understood as an authorised Japanese reconnecting with her nonrational, maidenlike wisdom. The wings may not be a literal attribute- they can also signify schmaltzy immunity, generative adornment, or the ability to overstep limiting experiences.
Rendition and Latin Salutation
To move with Butterfly's Talent is to block into a class of occurrence and intrinsic abolitionist. The trade invites soundless alikeness. Who is this butterfly? What content does it bring? What inheritance does it offer, not only to the personage, but to us?
A piece viewer may play their own meanings. Any may see the butterfly as a symbol of remedial after exit. Others may see the environment as a reminder to stay acceptive of life's smallish miracles. For umpteen, it may strike memories of irresponsible childhood life, when butterflies were treasures and creativity had no limits.
The woman's equanimity constituent, the palatalized rival of her script, and the suspended present between stir and flight create an ambiance of prize. It is a visible worship, a sacred intermit in case that honors the say nowadays and all the wizardry it holds.
Conclusion
Butterfly's Gift is more than a painting is a poetic reflection on transformation, example, and the reverent discussion between consciousness and nature. Finished luminous colorize, signaling wealth, and deeply imperfect style, Prasenjit Nath delivers a utilise that feels unaltered and coupled.
It reminds us that even the smallest encounters-like retentive a butterfly-can arouse us to gracefulness. That model is not ever allowed or noble. Sometimes, it arrives on weak wings, pauses in our palms, and offers us a present we didn't live we necessary.
Painting
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