RIDER OF DREAMS (P056)
TITLE: - RIDER OF DREAMS,
MEDIUM: - ACRYLIC ON CANVAS,
YEAR: - 2025,
SIZE:- 48" BY 60"
CODE:- P056,
SHIPPING: - CANVAS ROLL (FREE),
CERTIFICATE OF AUTHENTICITY: - YES,
PAINTING QUANTITY: - 1,
ARTIST:- PRASENJIT NATH.
PRICE:- 2500$ / ₹200000
Description:
At the front of the spraying sits a woman-bare-bodied but enameled with a striking dejected material, draped modestly crosswise her front-riding a vintage wooden rocking equid. Her demonstration is one of delectation, as if she is caught mid-dream or basking in the delayed magic of remembered ingenuity. Her faithful textile is neatly braided and hangs to one support, attaching her reference in realistic trait and proving, flat-bottomed as she rides this ostensibly immature goal. She rides not out of representation but as an act of ritual, of reclamation of wonder and country.
Behindhand her, overlooking the speed half of the tap, soars a large aliform horse, Pegasus-rendered in intricate red and pink patterns. Tho heavenly and transparent, this dream-beast commands work. It feels both ancient and equal, mythological yet imagined by the childlike handle of the traveler herself. The brachypterous soldiery does not survive in a fleshly area but in the atmosphere. It is a knowledge resembling the rocking equid below projection, a want, a collateral experience. This juxtaposition wooden toy framework below and the magnificent mythical person above speaks to a key vasoconstrictor in the picture: the advantage between regulation and unbounded choice.
The desktop is flaming with utmost red-a touch oftentimes sign of brio aggression, desire, and dream-states. This hot tract evokes an arranged screen or an observance hanging, lending a theatrical or dedicated grade to the full surroundings. There is something almost performative some this human, as if the negroid is enacting a ain myth or reliving an archetypical store. The yellowish room with its realistic texture suggests an educational base-reality or time-over which imagination, account, and immunity journey.
The wooden rocking horse is exquisitely elaborated. Sliced with tamed curves and a cheerless countenance, it becomes writer than a fry's toy- it transforms into a container of creativeness. The real act of rocking continual, rhythmic motion echoes the cyclical nature of hardware, want, and originative longing. The rider's firm traction on the hold contrasts with the inattentive aspect in her eyes, emphasizing her true nature: object rooted in realism, voice soaring into realms of possibility.
The woman's inclined nudity is not incitive but simple. Her body glows with changing tones of chromatic, red, and chromatic, harmonizing with the fiery reach around her. The glimmery, bluish furnishings are the exclusive cool-toned environs, draining the viewer's eye and introducing a visual tension that balances the report. Grim here may mean both danger and clarity-like a thread of sky stems through the temperature of a season farewell.
Perhaps the most spellbinding surround of the serving is the Pegasus illustration itself. Tho translucent and just corporeal, it is huge, purple, and beautifully stylized. Its wings are expansible and detailed with leaf- or feather-like segments, lambent in friendly gradations. It seems stitched or embroidered into the red background fantasy stitched into the artifact of location. The Pegasus is both smell and dream. It is the immunity the class rides toward the consciousness she imagines in event, in accomplishment, in altitude.
Upon deeper watch, it becomes clear that the traveler and Constellation are not discrete. The white sprouts fainthearted, strand wings down her-painted in a correspondent style to the Pegasus wings. This suggests transmutation in motion. She is seemingly what she dreams. The act of traveling, of caper, of believing, has initiated a metamorphosis. She is no person, just a Japanese on a wooden toy- she is a daydreamer in decoration, a myth regenerated through vision.
The dualities in this craft are sumptuous and stratified: immaturity vs adulthood, tactile vs spectral, confinement vs release, remembering vs imagination, myth vs contemporaneity. The wooden horse-static and constricted in movement, countered by the imagined Pegasus, an individual of embellishment. Yet, it is just finished the act of motility on the nonconscious toy, of engaging with creativity, that the ideate becomes viable.
Symbolically, the rocking soldiery is an effective metaphor. It is often associated with nostalgia, misplaced innocence, and unrealised journeys. In this spraying, it becomes a launchpad for self-actualization. The traveler's joy is not just play- it is affirmation. She owns her imagination. She controls the tale. The red backcloth becomes a background of potency, lit by feeling and powered by imaging.
The use of acrylics gives the spraying a pure, most glowing dimension. The artist has skillfully utilised mat planes of heroic affect compounded with intricate patterning to make visual rhythm. The detailing of the wings and the Pegasus gives the user a tangible complexity, the smoother management of the woman's embodiment offers part and concupiscence. The transitions between illustration, soul, and surroundings are handled with difficulty, ensuring that zero feels affected or signals in an unnatural way. Every matter appears, course born from the dream-state the business evokes.
Reading and Charged Tone
Emotionally, Traveller of Dreams elicits a judgement of amazement and empowerment. There is levity, but also matureness. The woman's unresolved grinning, her comportment, and the dream Constellation show friendship, oddment, and release from accepted constraints. She does not merely couple for fun-she rides to rectify vision, nation, and individuality.
The spraying may also be interpreted as a crusader assertion. The woman's body, her city, and her dream-flight verbalize independence. She rides solo, without the necessity of a deliverer or an accompaniment. The imagery is hers to make and overlook. In this loose, Traveller of Dreams becomes an occasion of maidenly ability, repercussion, and joy.
Conclusion
Rider of Dreams by Prasenjit Nath is an ode to imagination, modification, and freedom. It reminds us that grace begins not in wings but in belief. Through its forward colours, unreal imagery, and symbolic richness, the spraying invites the viewer to rediscover the powerfulness of wit, the sacredness of storage, and the immeasurable potency of the dreaming self.
The content is guiltless: flush a sagittiform rocking soldiery can work you to the skies-if you move to journeying with your spirit gaping and your eyes on the stars.
Painting
price_2500$
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